Just normal to look at returning the artifacts

 Bo Po from the network [
Gu Kai
China currently has more than 1000 million pieces of artifacts from their native land, drifting in from overseas, so many Chinese people of regret .2000 to 2004, began to flow back into the local cultural relics from overseas, and accelerating, the formation of a trend. one o'clock cheered by many people, many people will return and national pride heritage, national dignity equate. But time travel to 2006, the return rate has started to slow down, back wave died away. tide from the ebb tide, which includes how the content inside it? heritage back and how high the correlation strength it? treatment of the artifacts back, what kind of attitude is it appropriate?
China has more than 10 million heritage living abroad .2000 -2004 years, beginning to return the artifacts and accelerating, a trend and fashion, and sometimes cheered by many people, many people will be cultural and national self-respect back equate such. time to 2006 , reflux slowdown. ebb and flow, which contains the connotation of how to do?
from negative to positive acceleration gradient
see China in a foreign museum antiques, every Chinese museums and cultural experts will felt piercing pain: These works of art is so amazing, wonderful workmanship, but from their homeland so far away! although they also noted with appreciation the excellent preservation of the environment, these two conflicting emotions to their hearts can not be quiet.
only to possession of the British Museum more than 23,000 pieces of Chinese relics, like the commercial dual-sheep Zun Gui Zhou Kanghou, the Eastern Jin Dynasty artist Gu Kaizhi's UNESCO Institute for Statistics, in 47 countries with more than 200 museums in the 1.67 million Chinese cultural relics, together with collections is usually 10 times the amount of private collections, that is, the overseas Chinese cultural relics more than 10 million. so that they home, is a generation of the Chinese people have, the dream of endless longing.
Qing Dynasty, by lectures, visits to China in the name of the foreign scholars excavation, Pirates of the chisel or purchase; after the fall of the Qing government, the nobility of Zuzhuan Wen sell property; last emperor Pu Yi of Manchukuo was established to the Northeast, many of the treasures hidden in the original fall into Japanese hands; plundered during the Japanese invasion of China; 1949, many went to the capitalists in Hong Kong and after taking the smuggling of cultural relics caused hh the loss of several major cultural relics of China. This tragic recent history illustrates the point mm only China's national strength and weakness, loss of economic decline is the heritage of the most important factor in .1949 before the establishment of the People's Republic of China does not prohibit Heritage exit requirements, many treasures are lost to illegal trading in overseas. such as the Tang Zhaolingliujun in the bought. According to the relevant international conventions, this part of the heritage can not rely on diplomatic and legal means to recover, want to make these treasures home, only by purchase.
assumed average price of precious cultural relics about 12 million yuan and bought back 100 million pieces would be 12 trillion yuan astronomical and the National Heritage Board in total annual funding for the museum collection, but 100 million, with a decent impossible to buy the Ming and Qing porcelain kiln In 2002, the Ministry of Finance jointly with the National Heritage Board Start value. Guangzhou, a collector said in the past because people do not attach importance to antiques, and many precious cultural relics at a low price smuggled through underground channels to the overseas. now becoming less smuggling, and many antiques to sell directly to domestic buyers.'s economic boom to make works of art rising prices, overseas Treasures of the benefits or reduce the influence of laws beginning to return, and created miracles one after another auction mm
1995, Beijing launched the Northern Song Zhang Xian desert, to 19.8 million yuan to purchase.
2002, the land where 300-year-old Song Mi Fu characters work, , Guardian Auction ago in 1500, known as return to old haunt.
1997,1998 of the Asian financial crisis, many collectibles price in Hong Kong, not sold, transported back to the mainland is easily shot .2004, domestic large auction houses such as the Guardian, the trade and almost 40% of San Jia Heritage auction from the back, the Chinese cultural relics from the exporting countries into consumer, from negative to positive to achieve a qualitative leap!

heritage back in the noise in this situation, there are some not cool the voice of the artifacts in return is directly related to national power, national pride hook. and based on the existing heritage policy, trading back from overseas Chinese cultural relics restricted small and collectors on the back relics special favor, heritage back a moment was the proliferation of potential change was disordered. started only major Chinese companies in overseas assembly auction auction; later became involved in China for foreign businessmen antique relics Art Fair, domestic sales return directly to the heritage; overseas collector after another group of foreign organizations in the auction, Chinese auction commission Companies in the country for special auctions. For a time, Beijing, Tianjin, Shanghai, Guangzhou, everywhere Chong Jian pointed out, it is now returning from overseas heritage at every turn put the Law artifacts inherent in the concept of fuzzy easier. the total return of cultural relics 5-10%, good things did not come back. auction in the form of back home, they immediately go overseas soon. Huizong has been widespread concern ; it is an American art museum.
art critic Tam said that in foreign countries, collection actions are not only a symbol of cultural taste, you can also achieve the purpose of tax cuts, so the atmosphere is very strong collections, the price is higher. because Europe, America or Japan without a major social unrest, even in the booming Chinese market, so the case, really can not top a good living out of something.
Guonei collectors overseas cultural blindness is also caused one of the reasons that pays top academics Hui Liu . some mainland collectors overseas markets due to lack of understanding of one-sided view, as long as the return of cultural relics from overseas, as there is no truth to the basic problem. Beijing, a major collector has revealed that a few years ago a number of overseas visitors to the domestic market The fakes out and after a few years, transformed into artifacts returning from overseas. In addition, many dealers will be sent abroad for domestic imitation of porcelain making gold on the auction, even if 流拍, back when the auction catalog will be surprised mark: This auction has certain well-known at an international auction house auction.
rational and objective look at Heritage Hui Liu
summary, to date the artifacts back, not give back to those high-end Zhenpin Heritage , still less to come back all the losses out of the antique. and because the back exit of cultural relics with free legal status, so the back does not mean return, such as Huizong's directly led to the collectors of the The.
precious relics lost overseas to return home, all the Chinese people has long been difficult to let go of the complex. but certainly passionate folk cultural relics lost overseas acquisition the same time, industry experts have repeatedly stressed the need to promote and guide the orderly back, back against the blind. National Heritage Board of the original consultants to remind everyone thank Chen-sheng: legitimacy, in the emotion management are difficult to accept. grab a result of driving up prices. by far exceeds the repurchase price of the heritage value of these relics is a waste of resources.
auction community that the good things in a good market. Does not return the key, the key is the market really on the flow of goods and quality.
no doubt, valuable cultural relics in the circulation of the long history of tradition, reflecting the family, the rise and fall of a country. It is the Chinese economy since reform and opening up the power, that prompted the first time the artifacts large-scale return. However, we must see the artifacts in the collection of the market, first with the commodity, they showed more movement by the laws of economics-driven business practices, that is, naturally from the low-cost areas to high price Regional flow. Therefore, the cultural capital return is essentially a profit-driven performance. When the value of mainland China offers room for improvement, heritage beginning to return; when the price or reduce the level of stagnation, slowing heritage back. It is a natural process, not heritage and the need to return to national dignity, national pride to simply equate between the rational and objective look at is the correct attitude.
believe that one day the Chinese people are proud to stand in the forefront among the nations of the world, we most countries in the world of cultural understanding and appreciation of our heritage as the nation's prosperity and reflect the purchasing power they should be valuable.